Québec’s public-art activations, such as Max Streicher’s tucked-away-in-Vieux-Québec “Fin de partie (Nagg et Nell),” are lovely finds for those who aren’t searching. Quite the dichotomous dance between freedom of expression and oppression this one, eh? It is so pretty around this village town. Everywhere you look there’s a flower box. It’s summer; a rainy night […]
King of Cups 